• ERASE the Patriarchy: An Interview with Kitty Stryker

    This is part three of an interview series with authors whose work appears in the anthology Erase the Patriarchy (University of Hell Press, 2020), about which I generally can’t say enough good things. You can read the first interview, with editor Isobel O’Hare, here; and the second interview, with author and Barrelhouse Fiction Editor Tara Campbell, here. This

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  • ERASE the Patriarchy: An Interview with Tara Campbell

    If you’ve read Erase the Patriarchy, the erasure anthology edited by Isobel O’Hare and published by University of Hell Press (2020), you may enjoy hearing what the editor and some of the poets have to say about the book and their work in it, respectively. The first interview in this series, in which I speak

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  • ERASE the Patriarchy: An Interview with Editor Isobel O’Hare

    Like most people I know, I had a lot going on during 2020. I was very conscious of which people and things I made time for, as well as the people and things that took my time. Most of my preferred activities were not literary; but a few were, and one such occasion memorably occurred

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  • Ariel Walks Into a Bar

    Ariel Walks Into a Bar

    Limps, really. Drops onto the first stool, starts rubbing her bare blistered feet. She nods upwards once to the bartender the way drunks do to signal whatever’s cheap. I gave up my voice you know–fought a bitch to get it back. And now it hurts to stand. Every step is glass. We let her talk.

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  • Come Along with Me to the Pasture Now, by Arielle Greenberg

    Sydney Kay (SK) interviews Arielle Greenberg (AG) about her book, Come Along With Me to the Pasture Now, a dynamic poetry collection exploring motherhood, belonging, race, place, and more. Come Along With Me to the Pasture Now is available for purchase in our bookstore. SK : The handwritten notes throughout the book feel so organic,

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  • A Spell for Living: Interview with Keisha-Gaye Anderson

    Sydney Kay interviews Agape author Keisha-Gaye Anderson about her multimedia poetry collection, A Spell for Living, exploring self-awareness, resilience, and making peace with that which cannot be changed. SK: This collection feels like a call to action, or even a handbook for life, drawing from your own experiences and your ancestors’ experiences. These poems have

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  • You Woke Up in Heaven and You Live There Now but You Will Come Back: A Review of Katie Manning’s 28,065 Nights

    In Katie Manning’s 28,065 Nights (River Glass Books, 2020) the speaker tells stories about her grandmother to dive into the joys and sorrows of being human: small details like poor girls using vanilla for perfume or what pieces of us hide in a grandmother’s dresser drawers. Manning’s prose poems spill out confessions, family secrets, and

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  • Onward

    Onward

    Hello, numinous community! The past year has been a tumultuous one for many of the Agape Editions family. Our tiny staff has experienced illnesses, accidents, hospital stays, dramatic professional and career changes, cross-country relocations, deaths & other family tragedies. We went on a brief hiatus last autumn; now, along with the rest of the planet,

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  • Madeleine in Church

    Madeleine in Church

    As the Christian holy days passed, I reflected a great deal on my own desires to believe in the resurrection with steadfast, unquestioning purity. My own waters of faith are easily troubled by the ramblings of my mind and the experiences of my past. In “Madeleine in Church,” a poem by British writer Charlotte Mew

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  • The Bugs Know How to Find the Light: A Review of Michael Sikkema’s “You’ve Got a Pretty Hellmouth”

    Michael Sikkema’s poetry collection You’ve Got a Pretty Hellmouth reminds us the world is never what it seems.

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  • A Book of Questions: Interview with Mariahadessa Ekere Tallie, Author of STRUT

    Jessica Walsh spoke with Mariahadessa Ekere Tallie, author of Agape Editions’ latest collection, Strut. See hyperlinks in the interview for clips of Mariahadessa reading her poems! JW: When you look at the book now, what experiences or other influences do you think led to its creation? MET: Rage, loss, sensuality, and the blues were all

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  • I Contain Multitudes: Tarot, the Self, and the World

    This morning, I drew The World. Not really, of course—though the thought of that makes me smile—but through a card pulled from my Tarot deck. As a graduate student whose schedule frequently ricochets from being relatively manageable to overwhelming in a second, I’ve tried to maintain a sense of routine by starting each morning the same

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